I love John Murphy scores (Lock Stock and Two SMoking barrels, 28 days later/weeks later, Sunshine, etc) they stand alone as one of the more emotional characters in each film. Prominent cues start out very slow and introspective, growing and evolving into more complex beings able to explain their emotions with each note and progression perfectly. At least to me this is how it seems. Then someone comes along and remixes, giving this particular entity a bit more of an edge. I love.